
in memoriam, PEter
Smith 8/27/1971 - 10/4/2007
Peter brought a passion for learning to the online environment when
he stepped into our world in May of 2005. His extensive knowledge of
graphic and Web design, coupled with a calm and supportive demeanor provided
fertile ground for his student’s learning experience. Under his guidance,
Peter’s students were driven to move beyond “average” and inspired to
extend their boundaries, often achieving a level of success really not
expected. He truly connected with his students and through his efforts
in Portfolio, launched most into graduation under the best possible situation.
Peter was a joy to work with. His desire to make personal connections
resulted in him picking up the phone rather than settling for email.
He came to work ready to do business and never failed to impress.
He will be sorely missed……..
Voni Lee Daugherty-Whittier

Peter had helped me on numerous occasions with a few courses I had not
taught before. He guided me by giving me his own expertise in teaching
the courses and discussed his own tips for working with students. He
also helped me on a side project I had been working on for a clients
website. I was impressed by his knowledge of web design and of teaching
upper level courses but was most impressed with his generosity in sharing
his knowledge and sense of humor. I will miss his input in our faculty
calls and guidance in the classroom as well as his gentle voice.
- Marnie Michels

Although I hadn't had the pleasure of meeting Peter in person, I always
welcomed his calm manner and thoughtful comments and input during our
faculty calls. I know from our colleagues what a talented designer he
was and was always ready to pitch in and work with his fellow faculty
as well as a devoted teacher to the students. My thoughts go out to his
family.
- Warm Regards,
Robin Masi

Peter and I did our initial training together. I was so impressed with
his commitment to design and his personal and professional journey, which
he shared with us during his training. He has achieved so much in such
a short time and we will all miss him. My heart goes out to his family.
Elizabeth Tilak

One's voice reveals a great deal. As one of his colleagues in the online
environment, I did not have the opportunity to meet Peter face-to-face.
But from his voice I could tell that he was an excellent listener, self-assured,
thoughtful, and spoke with a subtle candor when an issue needed our further
consideration. I will miss his sincere approach to others.
Jennifer Price

Peter brought a quiet wisdom to our conference calls and I will miss
the sound of his gentle voice. We worked together during the last week
of the Summer session on portfolio reviews. He was committed to providing
the best for his students and will be greatly missed.
Sylvia Shapiro

Peter was
an important member of the full-time Graphic Design faculty; his input
to the team will be missed greatly. We send our condolences to his family
and hope they understand the high regard we held for Peter as a colleague.
Jeff Davis

I had the opportunity to work with Peter and some of his students over
the break and found that his gentle tone and caring nature was evident
in his emails and felt by his students. My thoughts are with his family
and I wish you all strength to get through this terribly difficult time.
Merrily Hall

Peter's disposition was always so calm and inviting. He made you feel
as if you could tell him anything and welcomed a healthy exchange of
ideas. He seemed to truly love what he did and brought a level of excitement
and enthusiasm to his classroom that his students much appreciated.
Peter was a gem to collaborate with and he always seem to find the time
to point out the positive and not the negative. He will be greatly missed.
Nan Pendarvis

While I never had the opportunity to work directly with Peter, his presence
as a voice of reason and optimism within our department was very apparent
to me and we will all miss him dearly. My heart felt thoughts go out
to his family in this difficult time.
Tammy Lockett

I was deeply saddened to hear the news about the sudden passing of Peter
Smith. Although, I did not meet Peter in person, he was a kind and supportive
voice, and a valued faculty member. I will miss hearing his soft spoken
manner and kind eloquence. He will be truly missed. My sincerest prayers
and thoughts are with you and your family during this very difficult
time.
-Marie S. Patierno

Although I have known Peter through the college only briefly, he was
exceptionally helpful to my indoctrination. He went above and beyond
to make me feel welcome and voluntarily stepped up to the plate when
I was in need of assistance. My heart goes out to you, his family and
friends, in these difficult times.
Catherine Case

Although I have not worked directly with Peter, his contributions to
our department meetings were greatly appreciated! I will be missed by
both the students and his colleagues. He will be missed! My thoughts
and prayers go out to his family and friends.
-Elena Martignon

Peter made each encounter in our department and certainly in his classes,
a pleasant experience. I will remember the genuine way in which he interacted
with people. Please accept my sincerest wishes for you and your family
in this period. You are all in my thoughts.
- Jonathan Dapra

Peter was a wonderful person to work with! He kept his sense of humor
and calm demeanor under stressful situations. I am very sad to hear of
his passing. I will miss him as we all will. He will never be forgotten.
My prayers are with his family and friends.
- Lori Cole

My sympathies to Peter's family. I found Peter friendly, generous and
full of helpful knowledge. I will miss his presence in the department.
-David Lyons

Peter and I discussed real estate in the South, and the tenuous aspects
of the business of one-man web design. I helped him out in his portfolio
class recently, and his last correspondance was "I owe you one".
Peter
- Don't think you can get off that easy! Put in a good word for me upstairs
and we'll call it even (:
-Jeff Prentice

As a teacher first, and later as a colleague, Peter Smith was a great
resource for me. During my last year of graduate school, Peter began
teaching at Georgia Southern University. It was Peter that taught me
how to defend criticism without being defensive. He was understated,
subtle, nuanced, quick-witted, dry, clever, talented, and dedicated.
He was a friend. Both fields in which he worked, design and academia,
are poorer today than they were on October fourth. It is my hope that
we should all continue to pray for the mercy, comfort, and peace of his
wife and daughter in the days, weeks, and months to come. And that while
doing that, we might reflect on our own lives, our own goals, and our
relationship with God.
-Garry McKee
teaching
tips
Marie S. Patierno

GradeBook Tips
My name is Marie S. Patierno. I am originally from New York and now living
in Milford, PA (a small town on the NY, NJ, & PA borders). I love
all things natural and try to express that sense of wonder in my work.
I hold a Master of Science degree in Communication Arts. I also have
a BA in Psychology and an AAS in Visual Arts. I am a full-time instructor
for the Art Institute of Pittsburgh - Online Division where I teach Digital
Image Manipulation.
The following are some tips that thought I'd share with you and hope
that you may find useful! These notes are based on my personal experiences.
They include some of the things that I do and what I have learned teaching
online at Art Institute of Pittsburgh - Online Division.
Many of the students are very much the newbies. They are new to the
online world and may have very little experience with the software and
hardware - so they are really starting from scratch. You will see this
inexperience reflected in many of the exercises.
Voni stresses that the quality of the work should always be priority
and this should in turn be stressed to the class. But effort and redos
are also encouraged. Voni is really a student advocate on this point.
Here is a direct quote from Voni, “Anytime a student feels that they
would like to reengage and you feel that they have the ability to catch
up you should reach out and support this effort. The only time I'd recommend
NOT doing so is when you absolutely believe that they have no chance
of doing so.” So if you find that a student is not producing a quality
piece, struggling with written work, or not participating well, then
give them suggestions for improvement and the opportunity to make up
the work (I usually give 24 hours).
Make specific comments in the classroom and be very specific on what
the student should redo/improve upon. For example, if a student needs
improvement on a Discussion Question assignment, ask for more detail
on a point, probe with another question, or restate the question if they
didn't answer it properly. If you ask a student to redo an art project,
then make positive suggestions for improvement or ask that they "make
the following changes." It is important to do this in the classroom
because posting positive constructive feedback in the assignment threads
is visible to all and can aid other students in their works (the grade
book is private and students may not check the grade book right away).
Point students to a sample for guidance. For example, See Sally's post,
she did a really good job on this assignment.
Set specific and achievable deadlines for redos. (I like to be very
specific on deadlines for redos and usually give 24 hours on a redo.
I will also post an encouraging note to the class about redos along with
the deadline - but you can post it to an individual student as well).
For example, please redo/make changes and submit by 11:59 MST, Monday,
October 15, 2007. This gives them a solid timeframe and deadline to meet.
Pop off an email to remind the student of a redo (just click the email
link next to the student name in the thread).
Quality of participation is also stressed over quantity. Every class
is different, In my classes, I require a minimum of 2 critiques/responses
per assignment from each student, not including my own. This seems to
be a nice balance, but there are some teachers who ask for more (min
of 3 or 4 or more). Just be sure to be very clear to your students how
many posts are expected and stress quality (that their comments be meaningful,
not just "good job"). In my class, if a students replies meaningfully
to 2 students - I will give 4pts for participation. If the student responds
meaningfully to 1 student - I will give 2 pts. If student responds to
more than 2 but are not meaningful (or semi-meaningful) - I will give
1-3 pts depending on the combination of quality/quantity of the posts.
If the student does not participate at all - I will give 0 pts for participation.
Base grades on the quality of the work the student submits (I also base
grades on effort and improvement shown). If the student reposts (does
a redo) or participates late then you may regrade accordingly. If a student
does not participate or redo an assignment then you have no alternative
but to grade them on the original submission.
Develop general or assignment specific comments in the comment area
of the grade book. Doing so helps to alleviate any uncertainty and aids
the student in gauging how well/poorly they are doing. (I also like to
post a copy of the rubric inside the comment area).
Always enter a numeric grade (partial or full credit) in all fields
in the Grade Book and add any comments on what the student has done and
needs to do to improve. The numeric grade is needed for calculations,
for the student to gauge themselves, and for admin/advisors. If an assignment
is pending - you may enter 0 in the Numeric Grade field and Pending,
Incomplete, Did Not Submit, or Withdrawing in the Comment box. Do this
for any student who appears in the grade book. (Enter a grade even if
a student has notified you that they are dropping and do so as long as
the student appears on your roster). You don't need to add the letter
grade for Assignment grades. (Letter grades are used for the Final Grade
and entered at the end of the session).
There is a grading scale in the classroom (look in the left hand navigation
panel and click on Grading then scroll down the page). And a grading
rubric for each assignment (under the assignment instructions). There
is also the User Activity section (in the Gradebook) that tracks the
amount of time spent in each area of the classroom. The User Activity
tool does not calculate number of posts (in other words it does not calculate
attendance and participation - so if a student logs in and spends 12
hours in the classroom and does not post - it is not recorded as attendance/participation).
What also helps me is to convert the points to a percentage. For example
on an 8pt assignment:
8 of 8 pts = 100%
7 of 8 pts = 87%
6 of 8 pts = 75%
5 of 8 pts = 62%
4 of 8 pts = 50%
So you can see how valuable every point is. Deducting 1 or 2 points
can significantly bring down a grade. Look at the assignment and effort
made - and consider if it deserves an A, B, C, D, or F? If you reverse
your thinking and give a percentage or letter grade and then convert
it to points, it can sometimes make things a little easier.
I hope you find these tips useful in your classes. Have a great session!
- Marie
New photoshop Video Tutorial
basicshapesswf.html
Creating, colorizing, and transforming simple raster shapes in Photoshop.
For those students struggling with the tints, tones, and shades exercise,
or any of the intro assignments in Color Theory and Design - this walks
them through some basic tools.
13 minutes, progressive load swf.
- Jeff P
announcements
Following is the CAREER WEEK INFORMATION to share with your students.
Event Dates: October 15th-18th, 2007
(To post the announcement in your classroom, click the "<>" button
on the bottom left corner of the New Announcement window to accept HTML
code. Copy and paste the code as is into the window. Do not add or subtract
anything from the code.)
<meta http-equiv="Content-Type" content="text/html;
charset=UTF-8"><title>Career Week Info</title>
<style type="text/css">
<!--
.style2 {
font-family: Arial, Helvetica, sans-serif;
font-weight: bold;
}
.style3 {font-family: Arial, Helvetica, sans-serif}
.style4 {font-size: 24px}
-->
</style>
<table align="center" border="0" width="800">
<tbody><tr>
<td align="center" height="380" valign="top" width="800"><img
src="http://dustycrocker.com/header.jpg" height="381" width="800"></td>
</tr>
<tr>
<td><div align="center">
<table border="0" cellpadding="0" cellspacing="0" width="100%">
<tbody><tr>
<td bgcolor="#ffff99"><table border="0" cellpadding="10" cellspacing="0" width="100%">
<tbody><tr>
<td align="left" valign="top" width="220"><div
align="center"><img src="http://dustycrocker.com/bill.jpg" height="256" width="200"></div></td>
<td align="left" valign="top"><p class="style2">Bill
Gaylean, Former Creative Director, Pierce Deditus and Gaylean</p>
<p class="style3">Creative Director, Senior Art
Director, and Design Guru with over 35 years of agency and freelance
experience, Bill Gaylean currently shares his wisdom with students
at both Southern Methodist University and Texas Christian University
in Dallas/Fort Worth as an Adjunct Professor. His years of service
to agencies such as Tracy Locke, Darcy McManus and Macius as well
as his own firms gives him a special insight into what it takes to
get and keep a top job at a top ad agency or design firm.</p>
<p class="style2">Monday, October 15th, 8 pm to
10 pm EST</p>
<p class="style2">Toll Free: 866-745-8833, Access Code: 574050</p></td>
</tr>
<tr>
<td align="left" valign="top"><div align="center"><img
src="http://dustycrocker.com/ken.jpg" height="295" width="200"></div></td>
<td align="left" valign="top"><p class="style2">Ken
Hanson, Executive Creative Director, Hanson Dodge Creative</p>
<p class="style3">Ken’s 25 years of interactive
and graphic design experience and countless industry awards have
earned him a reputation as one of the nation’s leading marketing
communication designers. More than a gifted artist, Ken is also a
superb strategist and marketing practitioner with a passion for building
brand equity and loyalty for clients. He founded the studio in 1980
and continues to oversee creative direction for both interactive
and print projects. Ken founded the Wisconsin chapter of the American
Institute of Graphic Arts (AIGA).</p>
<p class="style2">Tuesday, October 16th, 8 pm to
10 pm EST</p>
<p class="style2">Toll Free: 866-745-8833, Access Code: 574050</p></td>
</tr>
<tr>
<td align="left" valign="top"><div align="center"><img
src="http://dustycrocker.com/rob.jpg" height="259" width="200"></div></td>
<td align="left" valign="top"><p class="style2">Rob
Jackson, Creative Director, Extra Credit Projects</p>
<p class="style3">Rob Jackson is the principal/Creative Director
of Extra Credit Projects, an advertising, design and promotion collaborative
based in Grand Rapids, Michigan. Before opening his doors in early 2006, he
was a Creative Director at Jager Group, one of the leading agencies in the
Midwest, where he spearheaded a variety of successful unconventional campaigns.
He also spent over a year in Italy studying art and design while serving as
an Illustrator for the U.S. Navy Sixth Fleet. His advertising and design work
has been showcased in Archive, Brandweek, PrintCritic, Graphic Design USA and
Print Regional Design Annuals. Awards include numerous Obies, National Addys,
Graphis, Tellys and Cannes Lions, just to name a few.</p>
<p class="style2">Wednesday, October 17th, 8 pm
to 10 pm EST</p>
<p class="style2">Toll Free: 866-745-8833, Access Code: 574050</p></td>
</tr>
<tr>
<td align="left" valign="top"><div align="center"><img
src="http://dustycrocker.com/shel.jpg" height="295" width="200"></div></td>
<td align="left" valign="top"><p class="style2">Shel
Perkins, Designer, Consultant, Author</p>
<p class="style3">Shel Perkins is a graphic designer, management
consultant, and educator with twenty years of experience in managing the operations
of leading design firms in the U.S. and the U.K. He writes the Professional
Practice column for STEP magazine, the Design Business newsletter for AIGA,
and the Design Firm Management column for Graphics.com. Shel teaches courses
in professional practices at the California College of the Arts, the Academy
of Art in San Francisco, and the University of California. He has served on
the national board of the Association of Professional Design Firms and has
been honored as an AIGA Fellow. His book Talent Is Not Enough: Business Secrets
For Designers was recently co-published by New Riders and the AIGA Design Press.</p>
<p class="style2">Thursday, October 18th, 6 pm
to 8 pm EST</p>
<p class="style2">Toll Free: 866-745-8833, Access Code: 584357</p></td>
</tr>
</tbody></table></td>
</tr>
</tbody></table>
</div></td>
</tr>
<tr>
<td class="style3"><p class="style3"><span
class="style4"><strong>Career Week WebEx Login Instructions</strong>:</span></p>
<p>1. Go to <strong>https://edmc.webex.com/</strong> <br>
2. Click "Join". <strong>*You do not need to Log
in.</strong> <br>
3. You can do a <u>search for:</u> “AiO Graphic Design
Career Week Presentation Series”. <br>
4. This should bring up our Workshop. Click on “<strong><u>Join
now</u></strong>”. Note: “<strong><u>Join
now</u></strong>” will be available right before the
Workshop time (approx 10 minutes prior to the presentation start
time). Before this time, the link will read <strong><u>Not
Started</u></strong>.<br>
3. Enter your name and email address. <strong><u>**
Please be sure to enter your full name.</u></strong> <br>
4. The WebEx session does not require a password.<br>
5. Follow the instructions that appear on your screen.</p>
<p><strong>WebEx Etiquette:</strong><br>
Please <strong><u>mute your phone</u></strong> at
all times unless speaking. *6 to mute and *7 to unmute.</p>
<p>If you need to answer an incoming call or put your phone
on hold, please hang up and call back in. The <strong>Mute</strong> function <strong><u>will
not work during a hold</u></strong> and everyone will
be able to hear you on your other line. You may call back in at any
time.</p>
<p><strong><em>Don’t close your Browser</em></strong> as
you may not be able to get back in to the WebEx presentation. </p>
<p>Mac Users: WebEx presentations are best-viewed using Firefox</p>
<p>PC Users: WebEx presentations are best-viewed using Microsoft Internet
Explorer v5.5/6.0, Safari 1.0, or Firefox</p>
<p><strong>The number of spaces for each presentation
is limited.</strong> The WebEx access to each session will
be closed ten minutes into the presentation. It is highly recommended
to come in slightly early to secure your space. If you are unable
to login to the WebEx presentation along with the teleconference
call do attempt to attend another presentation later during the week.
And have fun!!!!!</p></td>
</tr>
</tbody></table>
(To post the announcement in your classroom, click the "<>" button
on the bottom left corner of the New Announcement window to accept HTML
code. Copy and paste the code as is into the window.
Do not add or subtract anything from the code.)
Organized by
Dusty Crocker & Jennifer Price
Profiles

Merrily Hall - Faculty,
Graphic Design
First, let’s get the name thing out of the way – my mother has a weird
sense of humor and decided I was going to be a ‘happy’ baby – a personality
disorder I have tried all my life to disaffirm.
Born in London, moved to the U.S. when I was still blonde and thought
all was right with the world, moved back to the U.K, moved back to the
U.S…. Went to school in Massachusetts, yadda, yadda, yadda. Moved to
the U.K., went to school, yadda, yadda, yadda. Spent summers in
odd places like Bermuda, Norman’s Cay, the Netherlands and Cape Cod.
You see the pattern here, right?
Did the married bit, have 2 daughters, Kelly (26) and Jennifer (21).
Had Kelly when I was around 7 years old so that accounts for their ages.
Both gainfully employed (whew!) and hopefully saving up for their mother’s
retirement.
Started my college experience in Commercial Art and moved on to many
different majors – Accounting (what was I thinking?), Computer Science,
Pre-med, Communication, Nursing, Psychology and Education (no, there
is no ADD in my family….). My BA is in Psychology, minor in Communication.
Did my Master’s in the U.K. (Bath Spa University) and received my MA
in Design: Brand Development. I also hold post-grad certifications in
Graphic Design, Technical Writing & Editing and Human Factors in
Information Design. My next degree will be in photography….
I have worked in the field of graphic design for the past 20 years.
I have my own design business and have also worked for large corporations
such as Bell & Howell and EMC2 doing everything from technical illustration
to AD. I am very much a print person and don’t do much web stuff (other
than muttering that the shopping cart icon is hard to find).
I have been teaching for 5 years – started out at Clark University and
here I am now at AiO. I currently live in Cave Creek, Arizona but plan
on moving back to the ocean within a year or so – just not sure which
ocean…..
-Merrily

My name is Catherine Case, and I live in Oshkosh, Wisconsin (yes… home
of the OshKosh B’Gosh overalls, and within a stone’s throw
of the Green Bay Packers). I have a daughter, Emily, who is twenty-one
and recently graduated from college, a son Ben who is nineteen, a stepson
Dane who is twenty, and a stepdaughter Kyra who is thirteen. My husband,
Bob, is the Director of Museum & Resident Education at EAA (Experimental
Aircraft Association).
I received my BFA from the University of Wisconsin-Oshkosh in Commercial Art,
and proceeded on to receive my MA in Drawing. I then attended the University
of Wisconsin-Madison (go Badgers) and received my MFA in Graphic Design/Illustration.
I also exhibit my ever-evolving fine art nationally, and frequently juror exhibitions.
I usually travel to the annual CAA conventions to assist in assessing the portfolios
of recent MFA graduates and mentor those looking to make changes to their academic
careers.
In all, I have written/taught over forty different courses online and onground,
and most recently acted as the Chair of the Graphic Design Department at the
Savannah College of Art and Design (SCAD), in Savannah, Georgia. The department
consisted of twenty-three full-time professors, 150 graduate students and 450
undergraduate students. I taught, simultaneously (whew!).
I have been in the field of academia at the collegiate level for twelve years,
and have almost thirty years of experience in the field of graphic design, including
owning my own design firm (with all the trials and tribulations of real estate
and employees).
In my “free” time, I teach yoga, play the piano, and run. I am a
certified yoga instructor through the Himalayan Institute, took classical piano
lessons for thirteen years and (used to) run marathons. I am currently learning
to “get a life.” As an AAA personality, it is a slow process for
me. The puppy sleeping at my feet while I work is a constant reminder to occasionally “chill.”
- Catherine
Reviews
iListen Voice Recognition Software, a Mac only voice recognition program macspeech.com
I have been testing this software for few days now. The results are
mixed, however, it seems to be getting better the more I use it.
There is a fairly steep (frustrating) learning curve, teaching the program
your voice, pasting in examples of your writing, and correcting mistakes
as you go. But the bottom line is that I'm doing less typing. This software
may not be for you if you can type 60 words a minute or more. however,
there are many of us old timers that are not typists.
In addition to spoken critiques there are couple of interesting features.
I can say the word "release" as a command macro and my entire
request for a student release form will be entered into the email text
box to send to the student. I do a command "see comments",
usually in the gradebook, and the line "See my comments in the threads,
and let me know if you have any questions (:" is written out for
me.
I can also control my computer with an number of commands, opening applications
and controlling web pages and documents with "page up, page down" and
there is the potentially valuable command "double click". Instead of
manually clicking on the numerous asterisks when I grade I can position
my cursor over the asterisk and speak the command "double click", saving
my wrists.
Another benefit - built in headphones for music when not using the program.
If you do get this software make sure you download the latest update.
I will keep you posted, give you a star rating in the next newsletter
(:
- Jeff P
P.S. all the above was written using Ilisten. Pretty
cool. But that reminds me, I need to get out more!
| Contributors
past and present |
 |
Robin Masi |
 |
Marnie Michels |
 |
Nan Pendarvis |
 |
Jeff Prentice |
 |
Jennifer
Price |
 |
Lori Trujillio-Cole |
 |
Nancy Wood |
 |
Marie Patierno |
 |
Merrily Hall |
 |
Catherine
Case |
 |
Jeff Davis |
 |
Dusty Crocker |
|
|
| If you have reviews, links, information or other content you'd
like to share in an upcoming newsletter, if you have found a particular
tutorial helpful, want to have us list an exhibition you are in,
post department-related information, comment on a group resource
or have questions or comments regarding this newsletter contact
Jeff Prentice at jprentice@aii.edu |