Image Lib: New Media

christian marclay a wiki entry - interesting work, hard to categorize
suyamapetersondeguchi.com/ architects and installation gallery
http://stuartcollection.ucsd.edu/StuartCollection/Irwin.htm Robert Irwin

Robert Irwin, Light and Space (installation view), 2008, 115 fluorescent lights, one wall, Museum purchase with funds from the Annenberg Foundation. Photography by Philipp Scholz Rittermann.

http://www.andreapolli.com/ Director MFA prog integrated media arts Hunter College

DOUG AITKEN TALKS ABOUT ELECTRIC EARTH

In many ways the process of my work is an ongoing experiment to see how I can open myself to a larger field of experience and information. At times I live nomadically, wandering, going from project to project and city to city. I find myself moving through space and responding to experiences in a way that’s very different from the way you do if you stay in one place. A moment that might ordinarily just flash by now makes a deep impression on you. Your sense of time expands or contracts and you become extremely sensitized to things you might not have noticed before. As I found myself in constant motion, I became increasingly attracted to in-between places, places that were not destinations, places that were somehow in limbo or were outcast and passed by...more

see also
ann hamilton
april gornik
kiki smith
mariko mori

rebeccaszeto.com/

Louis Hock, "Pirámide del Sol: A Monument to Invisible Labor," 2002, polypropylene plastic baskets, 6 1/2 x 9 x 9". See also louishock
Hope Ginsburg, Bearded Lady 1998 - 2000
mark newport super heroics - knitted super heor costumes and comic book cover

/abramovic/ From November 9 through November 15, the Solomon R. Guggenheim Museum presents Marina Abramovic: Seven Easy Pieces, seven consecutive nights of performances in the Frank Lloyd Wright rotunda from 5 PM to 12 AM.

Since the early 1970s, Marina Abramovic has pioneered the use of performance as a visual art form. The body has always served as her subject and medium, and the parameters of her early works were determined by her endurance. Exploring the physical and mental limits of her being, she has withstood pain, exhaustion, and danger in the quest for transformation. With Seven Easy Pieces Abramovic reenacts seminal performance works by her peers dating from the 1960s and 70s. The project is premised on the fact that little documentation exists for most performances from this critical early period; one often has to rely upon testimonies from witnesses or photographs that show only portions of any given piece. Seven Easy Pieces examines the possibility of redoing and preserving an art form that is, by nature, ephemeral.